{"id":3881,"date":"2020-04-20T12:20:23","date_gmt":"2020-04-20T10:20:23","guid":{"rendered":"https:\/\/roctet.nl\/?p=3881"},"modified":"2022-06-20T14:39:20","modified_gmt":"2022-06-20T12:39:20","slug":"recensie-diapason-frankrijk","status":"publish","type":"post","link":"https:\/\/roctet.nl\/en\/recensie\/recensie-diapason-frankrijk\/","title":{"rendered":"Diapason (France)"},"content":{"rendered":"<p>Founded in 2016, the ensemble ROctet \u2013 short for Radio String Octet \u2013 does not lack passion.<br \/>\nProof of it is the Double Quartet by Nikola\u00ef Afanassyev (1886), of which this is the very first recording. A melodic inventiveness \u2013 that can be at times naive and at times melancholic (Dvorak isn&#039;t always far) \u2013 is what attracts the ear. The piece by the Siberian violinist also seduces by its sparkling energy.<br \/>\nWhile the Spring-like Allegro Moderato and sizzling Finale are bursting with effects, the performers fully inhabited the Andante Sostenuto and its Russian soul without ever needing to overplay the pathos.<br \/>\nChange of tone in the Two Pieces for string octet by Shostakovich (1924). Without excessive darkness, but with a striking concentrated dramatism, the Dutch ensemble is poignant in the way it shakes the most agitated bars of the Prelude, which are marked by the death of young Dmitri&#039;s friend Volodia Kurtchavov. The music gets rougher as it turns into the Scherzo, which the bows rip apart with expressionist fury.<br \/>\nMendelssohn&#039;s opus 20, where the teenager&#039;s heart pounds wildly, completely changes the setting once again. Somewhat too full of juice, the Allegro moderato ma con fuoco can overwhelm the ear. After an intensely veined Andante, the Scherzo gallops with the lightness of a butterfly, and the fiery Presto reminds one last time what youth is all about.<\/p>","protected":false},"excerpt":{"rendered":"<p>Founded in 2016, the ensemble ROctet &#8211; short for Radio String Octet &#8211; does not lack passion. Proof of it is the Double Quartet by Nikola\u00ef Afanassyev (1886), of which this is the very first recording. A melodic inventiveness &#8211; that can be at times naive and at times melancholic (Dvorak isn\u2019t always far) &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3889,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[61],"tags":[],"class_list":["post-3881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recensie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diapason (Frankrijk) - Roctet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/roctet.nl\/en\/recensie\/recensie-diapason-frankrijk\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diapason (Frankrijk) - Roctet\" \/>\n<meta property=\"og:description\" content=\"Founded in 2016, the ensemble ROctet &#8211; short for Radio String Octet &#8211; does not lack passion. Proof of it is the Double Quartet by Nikola\u00ef Afanassyev (1886), of which this is the very first recording. 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